摘要
我国传统词学批评中尊体论的承衍,主要体现在三个维面:一是从创作实践之难角度对词体的推尊,二是从诗词同源或同旨角度对词体的推尊,三是从有补于诗歌情感表现角度对词体的推尊。上述几条线索,从主体层面上展开了对词之体制的推尚,将传统词学批评中尊体论的基本面目清晰地呈现了出来。
The connecting link and spreading out oi the theory ot respecting Ci-poetry's style in Chinese Classical Ci-poetry, mainly embody in three aspects: the first is the theory to respect Ci-poetry’s style from the angle of the difficulty of writing, the second is the theory to respect Ci-poetry's style from the angle of the poetry and Ci-poetry are the same fountain or the same aim, the second is the theory to re- spect Ci-poetry's style from the angle of that conduce to represent the feeling of poetry. The above-men- tioned clues, deploy the respecting to Ci-poetry from de angle of main body, syllabify present the basic face of the theory of respecting Ci-poetry's style in Chinese Classical Ci-poetry.
出处
《湖南大学学报(社会科学版)》
CSSCI
北大核心
2014年第3期99-103,共5页
Journal of Hunan University(Social Sciences)
基金
国家社会科学基金项目"中国古典词学重要理论命题与批评体式承衍研究"(11BZW006)
关键词
传统词学
批评视野
尊体论
维面展开
线索承衍
Classical Ci-poetry
the visual field of criticism
the theory of respecting Ci-poetry' s style;aspects deploy
connecting link and spreading out