摘要
奥地利籍匈牙利犹太后裔利盖蒂是20世纪最具有代表性的先锋派作曲家之一。利盖蒂于1951-1953年创作的《音乐探索》,是早期带有明显"探索"意味的作品范例,并对他后期风格的逐渐形成影响深远。该文从钢琴演奏的角度出发,详细阐述作为演奏者在二度创作中通过对作品形式、素材、结构方式、表现手法等诸多方面进行分析比较,梳理归类,通过论证作品结构的内在逻辑和演奏处理两者之间的必然关系,探寻通过作品形态特征准确有效地判断指引演奏处理,进而转化为合理而富于创造力的演奏特征和音响表达。
Ligeti was one of the most important and innovative composer of the second half of the 20 th century. His piano cycle Musica ricercata,which was a good example with a clear " exploration" means in his early works,and gradually formed far- reaching influence on his late style,was composed during 1951-1953. From the viewpoint of piano performing,this article elaborated the player how to analysis and comparison the aspects of work form,material,structure mode,technique of expression in recreation,through organizing and classifying to demonstration the deep relationship of work structure between the internal logic and performance,to seek determine accurately and efficiently handle playing work through morphological characteristics of the work,then translated into reasonable and creative performing features and sound expression.
出处
《黄钟(武汉音乐学院学报)》
CSSCI
北大核心
2014年第3期148-156,172,共10页
Huangzhong:Journal of Wuhan Conservatory of Music
关键词
利盖蒂
《音乐探索》
钢琴演奏
Gyorgy Ligeti(1923 ~ 2006)
Musica ricercata(1951-1953)
piano performing