摘要
在晚清,"意内言外"是最为流行的词学话语,很多学者从不同的角度谈到自己对它的理解,既把它与传统的"诗教"相联系,也揭示了它在很多方面的独特品性,从而推进了晚清词学对词旨和词法诸问题的讨论,彰显了晚清词学教化与审美并存的时代特征。
The prevailing dictum of composing ci-poems in the late Qing Dynasty is to suggest the inner world with words pointing to the outer world. This dictum was explicated by different scholars from different perspectives,covering both its connection with traditional view of poetry's function of moral cultivation and its unique features in the historical development of Chinese poetry.The different views not only helped to promote the ci-poetry criticism and explication of issues in the composition of ci-poems but also highlighted the aesthetic and pragmatic characteristics of the ci-poetry criticism in the Late Qing Dynasty.
出处
《文艺理论研究》
CSSCI
北大核心
2014年第5期88-96,共9页
Theoretical Studies in Literature and Art
关键词
晚清
词学
尊体
教化
the Late Qing Dynasty
ci-poetry
style reverence
moral cultivation