摘要
传统"工艺造物"是偏重于文化学意义的概念,它肯定了造物者的文化主体地位和创造性价值,与"工艺美术"的概念相比更具有包容性和完整性。艺术性的"工艺造物"与"工艺美术"的领域无异,非艺术性的"工艺造物"则是超越工艺美术的部分。对传统工艺造物的审美观照应该基于其本元文化特征,重视造物者的实践性和主体价值,将工艺造物的"物性"和"人性"内涵统一起来,而不仅仅是对其作哲学上的抽象思考和艺术学上的感性审美体验。
The traditional "Craft Creations" is the concept emphasizing on cultural significance. It affirms the dominant position of the creator's cultural and creative value. Compared with the concept of "Arts and Crafts", it is more inclusive and integrated. Artistic " Craft Creations" and " Arts and Crafts" have no difference from each other. Non-artistic "Craft Creations" has been even beyond arts and crafts. The traditional "Craft Creations" should be based on their aesthetic and cultural characteristics of its metal-culture, and the practicality and overall value should then be outlined to unify the nature of "things" and "human", not just for the abstract thinking on philosophy and the perceptual aesthetic experience on art.
出处
《阅江学刊》
2015年第2期121-128,共8页
Yuejiang Academic Journal
基金
教育部人文社科基金项目"民间传统手工艺传承中的隐性知识研究"(14YJC760052)
浙江省教育厅人文社科研究项目"传统手工技艺传承中的隐性知识研究"(Y201328158)
浙江师范大学人文社科重点研究项目"民间工艺的知识属性及其传承研究"(SKZD201211)
关键词
文化学
造物艺术
工艺造物
工艺美术
审美
cuhural studies
art of creation
craft creations
arts and crafts
aesthetic