摘要
清代末期是川刻话本小说的繁荣期,出现了大量的川刻话本小说、宣讲小说,其中以《跻春台》为代表。《跻春台》中出现的大量孝子、孝妇形象折射出了当时社会孝文化的特点。而其中的孝文化呈现出父慈子孝、母贤子孝,因果报应,幼年家庭教育的重要性以及子为父补过四个特点。对其进行研究,不仅可以折射出当时社会孝文化的特点,而且可以对构建适应当代社会的孝文化以启示。
Script story printed in Sichuan had become prosperous in the late Qing Dynasty. There appeared a lot of script stories and imperial edict stories, among which Jichuntai (a metaphor of harmonious society). In Jichuntai, the images of numerous dutiful sons and daughters-in-law reflected the filial piety culture of that time, which showed four features: father is kind, mother is virtuous and son is dutiful, the effect deserves the cause, the family education is important when young, and the son does good for his father's misbehaviors. The study of these stories can not only help uncover the features of the filial piety culture, but also construct the contemporary filial piety culture.
出处
《四川文理学院学报》
2015年第3期103-106,共4页
Sichuan University of Arts and Science Journal
基金
西部区域文化研究中心2013年度一般项目"清末川刻白话短篇小说中的孝文化研究--以<跻春台>为例"(XBYJC1316)
西南民族大学2013年度研究项目"清代文学要籍研究"(2013RC06)
关键词
清末川刻话本小说
《跻春台》
孝文化
特点
script story printed in Sichuan in the late Qing Dynasty
Jichuantai
filial piety culture
feature