摘要
文章以贫民窟为切入点,从影视角度选取法国电影《暴力街区13》、《暴力街区13:终极》和巴西电影《上帝之城》;运用空间生产、时空压缩、空间的消费理论,分析城市化过程中贫民窟产生的原因和特征。最后在前述基础上分析我国城中村问题。
Taking slum problems as its starting point and the perspective of film works, this paper applies theories of space production, time-space compression and space consumption to analyze the causes and characteristics of the slums born in the process of urbanization. Three films are chosen as case studies: two French films, Banlieue 13 and Banlieue 13: Ultimatum, and one Brazilian film, City of god. Based on these studies, a final analysis will be given to the problems of the urban villages in China.
出处
《世界建筑》
2015年第11期112-113,共2页
World Architecture
关键词
城市化
贫民窟
空间生产
时空压缩
空间的消费
urbanization, slum, space production, time-Space compression, space consumption