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How to Make a Story Beautiful: On Aesthetic Dialectics of Liao zhai zhi yi

How to Make a Story Beautiful: On Aesthetic Dialectics of Liao zhai zhi yi
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摘要 How to write a beautiful story? It is an important question to Chinese writers because novel has not been regarded as a formal genre until late Qing Dynasty. Pu Songling answers this question with his work Liao zhai zhi yi (Strange tales from a Chinese studio). This paper aims to study his narrative arts. There are four sections included. In part 1, this paper introduces a definition of the aesthetic dialectics and its embodiment in Chinese classical literary theory; in part 2, this paper takes the Liao zhai story as example to interpret Pu Songling's dialectic relation between description and narration; in part 3, I will show how Liao zhai presents beauty by unexpected but reasonable changes; and in last part, I give more importance to the stories concerning ordinary things for the reason that Pu Songling could make them interesting and beautiful. In the end, the paper concludes that Pu Songling is successful storyteller by using dialectic arts, which should be learned by Chinese writers.
作者 LI Hong-xiang
出处 《Journal of Literature and Art Studies》 2016年第6期695-707,共13页 文学与艺术研究(英文版)
关键词 Liao zhai BEAUTY change aesthetic dialectics NARRATION 辩证法 故事 审美 中国 工作室 作家 艺术
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参考文献14

  • 1Chan, Wing-Tsit. (Trans. & Ed.). (1963). A Source Book in Chinese Philosophy. Princeton: Princeton University Press.
  • 2Heideggr, Martin. (1971). Poetry, Language, Thought. (Albert Hofstadter, Trans.). New York: Harper & Row, Publishers.
  • 3Pu, Songling. (2010). Strange Tales from a Chinese Studio. (Herbert A. Giles, Trans.). HK: Tuttle Publishing.
  • 4Pu, Songling. (2011). Complete Works ofLiao zhai zhi yi. Zhang Youhe, (Ed.). Shanghai: Shanghai Chinese Classics Publishing House.
  • 5Kong, Linging. (1982). Historical Materials of Chinese Novels. Shanghai: Shanghai Chinese Classics Publishing House.
  • 6Wang, Guowei. (1960). Ren Jian Ci Hua. Beijing: People's Literature Publishing House.
  • 7In I Ching, wenyan about the Kun Diagram, we can see the Confucian interpretation about beauty. Other than the beautiful appearance, beauty is the pleasure caused by the open, free and smooth change state, which is represented in human body, mind and social action.
  • 8In Zhuangzi, there is a story about the true painting. Song yuanjun asked the painter to paint for him. When most of the painters stood in the yard waiting to paint, however, there was a painter coming, he did not care about others, entering into the room directly. Latter, unexpectedly, he was found to be naked in the room. After Song knew about this, he sighed that it is the true painting.
  • 9Wu xie, selected from Lu song in the classical work ofShi Ching, means the spiritual state of openness or sincerity to the world. According the idea of Lu song, this concept originally expresses the attitude to the god in the ancestor worship ceremony, whereas, it was explained later from the moral aspect by Confucius.
  • 10It is very coincident that Wang Shizhen is the first important critic of Liao zhai zhi yi. Nevertheless, he seemed not to give sufficient attention to this book, and only wrote to Pu Songling a poem in which he commented that the book could be regarded as a play work expressing the author' s desire.

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