教堂彩绘玻璃图案在经编条带花边中的体现

Church Stained Glass Patterns in Warp-knitted Strip Lace Design

当今有关描写教堂建筑内部装饰图案的文章有很多,而叙述经编条带花边设计的文章更是不胜枚举,但将二者结合在一起的研究却是从未有过。文章通过走访各大教堂进行考证,从教堂彩绘玻璃上装饰图案的造型特点出发,结合历史文献图片资料,对彩绘玻璃上图案的文化含义、造型结构进行了系统的概括,并通过分析图案的选取、打散重组等设计手法对图案进行二次设计,将其运用在经编条带花边的花型设计中。

In medieval times, lace and church are inextricably linked. When looking carefully at lace patterns, you will find that they arc similar to the pattern designs inside the church. Today there are many articles describing inside-church pattern designs, and articles introducing warp-knitted strip lace are too numerous to mention, but studies that combine the two have never been tried. Based on visits to well-known churches, investigating the characteristics of the church stained glass patterns, and referring to pictures in historical documents, the paper systematically summed up the cultural connotation and the structure of the patterns painted on the glass, and it even redesigned the patterns by using the techniques of chopping and scattering reconstruction and applied them in the pattern design of warp-knitted strip lace.