摘要
Deconstruction, advocated by Jacques Derrida, is a critic outlook that indicates the pitfall of the philosophical dichotomy in Western convention, revealing the unreliability of human language and conception. Hawthorne's The Minister's Black Veil,with the obscurity and uncertainty in its disclosure, offers the feasibility for a deconstruction study. The binary oppositions and its deconstruction of the "black veil" in perspective of persona, idea and existence contribute to the void perception and activities of Mr.Hooper, the protagonist as well as the author's literary practice.
Deconstruction, advocated by Jacques Derrida, is a critic outlook that indicates the pitfall of the philosophical dichotomy in Western convention, revealing the unreliability of human language and conception. Hawthorne’s The Minister’s Black Veil,with the obscurity and uncertainty in its disclosure, offers the feasibility for a deconstruction study. The binary oppositions and its deconstruction of the“black veil”in perspective of persona, idea and existence contribute to the void perception and activities of Mr. Hooper, the protagonist as well as the author’s literary practice.
出处
《海外英语》
2018年第15期182-183,190,共3页
Overseas English
基金
西方文学中的亚瑟王叙事(2017YJS218)中央高校基本科研业务费专项资金资助
