论梁武帝时期的乐制变革及文学影响

The Reform of Music System in the Period of Emperor Wu of Liang Dynasty and Its Influence on Literature

梁武帝时期的乐制变革主要体现在:第一,以雅为名,定国乐十二部,建立了较完善的雅乐体系;第二,乐律"标准器"及理论的革新;第三,配合制定五礼,新定礼乐,用于特殊的礼仪场合;第四,仪式用乐曲目的变化;第五,礼乐歌辞的重新创作;第六,乐府官署的变革;第七,礼乐规模、用具、次序的变化;第八,宗教音乐的引入与改造。乐制变革对这一时期文学的影响主要体现在:第一,礼乐歌辞创作的兴盛;第二,文人乐府诗创作的繁荣;第三,皇族中心和皇室文学集团的形成;第四,促进了诗歌语言、形式的变化;第五,宫廷诗风倾向及宫体诗特质的强化;第六,宗教诗歌的兴起。

The music system reform in the period of Emperor Wu of Liang dynasty is mainly embodied in the following eight aspects： First, in the name of Ya, twelve musical compositions were confirmed as traditional Chinese music, which implemented a more perfect system of Ya music. Second, music prosody ＂standard＂ and its theory were innovated. Third, with the development of five ceremonies, the new ceremony for the special ceremony of the occasion was determined. Fourth, the ritual changes with the purpose of the song. Fifth, the rituals were recreated. Sixth, official institutions of music were changed. Seventh, ritual scale, appliances and musical sequence changed. Eighth, religious music were introduced and transformed. The influence of music system reform on the literature of this period is mainly embodied in the following six aspects： first, the flourishing of the creation of ritual music; second, the prosperity of literati Yuefu poems; third, the formation of royal centers and royal literature groups; fourth, the promotion of changes in poetry language and its form; fifth, the court poetic tendencies and the strengthening of the characteristics of palace poetry; sixth, the rise of religious poetry.