摘要
本文从'圣餐'~①母题历时16个世纪的图像衍变中发现:从宗教绘画到个体精神隐喻再到当代视觉文化的拟古行为,圣餐母题世俗化进程成为入世的重要契机。与社会、政治、文化工业、都市化进程等因素在后现代语境中的相遇,更是让圣餐母题成为一个文化符号。由此,从当代视觉图像的圣餐个案中,可以发现后现代主义反中心话语和多元叙事特征的显现。
The author finds a problem from one change, that the images of the last supper have changed from 16 centuries ago to today. From religious painting to the metaphor of individual spirit to contemporary visual culture, the secularization of the last supper becomes an important opportunity to enter the secular world. It meets with society, politics, culture, industry, urbanization process and so on in Post-modern Context, and makes the last supper become a cultural symbol. Therefore, from the contemporary visual images of the last supper, we could found the emergence of Post modernist anti center discourse and multiple narrative features.
出处
《都市文化研究》
2017年第2期362-373,共12页
Urban Cultural Studies
关键词
圣餐母题
世俗化
后现代主义
当代都市文化
the last supper
Secularization
Post Modernism
Contemporary urban culture
