古今广州风景园林品题系列的审美意蕴转向

The Transformation of the Landscape Aesthetic Connotation of Guangzhou Before and After the Founding of PRC——Taking the Example of the Well-organized Scenic Title Series

为弘扬历史文化名城特色,促进旅游业的发展以及加深地方认同等时代需求,"八景"文化现象不断受到关注。基于金学智先生的风景园林品题系列理论,以历代广州品题系列为例,从"四字八节"的景观组诗表意格式和真切求殊,以及多元荟萃的语言特色2个方面概括宋、元、明、清4组品题系列的基本特征,比较其与新中国成立后4组品题系列之间的审美意蕴差异,即景象审美关系由整体的关联性转向个体的独立性、美感韵律由循环圆融转向直线明晰、审美心态由因循守恒转向推陈出新,为品赏历代广州景观风貌特征提供评价标准。

The paper focuses on eight groups of the well-organized scenic titles about Guangzhou by introducing the landscape theory of Scenic Title Series,a traditional way of Chinese literary expression to taste the features of landscape architecture in different spatialscale proposed and fully interpreted first by Chinese Aesthetician Jin Xuezhi.The grammatical structure of Eight Sight Four Character Scene Name and the linguistic features of the scenic names during the Song,Yuan,Ming and Qing dynasties are analyzed.Furthermore,the difference of the esthetics essence of Guangzhou landscape pattern before and after the founding of PRC is explored.That is,the aesthetic relationship of the landscape images transfers from emphasizing the overall association to the individual independence.The aesthetic feelings of rhythm turn from the cyclical harmony to the lineal and clear expression,and the aesthetic attitude shifts from the following conservation to the advancing innovation.Analyzing the eight sets of well-organized scenic titles of Guangzhou and their inherent aesthetic philosophy from the linguistic expressions of the traditional Chinese culture contributes to the profound thinking of the landscape renovation and reconstruction of the historical and cultural city.