论废名新诗观与“温李”晚唐诗风

Fei Ming's Concept of Poetry and the Poetic Style of the Late Tang Dynasty of “Wen & Li”

废名以晚唐李商隐、温庭筠诗词为参照建构了他独特的新诗理论话语体系。通过对温李诗词"内容"的发现,废名反思初期白话诗语言观,提炼出"诗的内容"新诗观念的基本内涵,并发掘古典诗歌含蓄深隐的一脉,引导读者接受从"读诗求懂"向"读诗求美"方向转变。针对当时白话诗枯涩单调的问题,废名在对温庭筠词的个性解读中发现了其幻想特质、视觉化和"立体"性意境营造三个方面的特征。通过对李商隐诗歌"借典故驰骋幻想"的分析,废名又试图为新诗用典寻找可供参照的先例,建构新诗用典的理论基础。废名还从审美形态方面挑战传统"雅正"文学观,推崇晚唐诗中感伤缠绵、朦胧迷离的"美丽的悲哀"。废名对温李晚唐诗风的独特阐释,为现代新诗化用古典传统提供了一条创造性的路径。

Fei Ming constructed his unique theoretical discourse system of modern poetry by referring to Li Shangyin and Wen Tingyun's poems in the late Tang Dynasty.Through the discovery of the“content”of Wen&Li's poems,he reflected on the language view of early modern poetry and extracted the basic connotation of the modern poetry concept of“the content of poetry”.And he excavates the subtle and deep vein of classical poetry and guides readers to accept the change from“reading poetry for understanding”to“reading poetry for beauty”.In view of the drabness and monotony of modern poetry at that time,Fei Ming found three characteristics in his interpretation of Wen Tingyun's poems,that is,fantasy,visualization and the creation of“stereoscopic”artistic conception.Based on the analysis of“fantasy by allusion”of Li Shangyin's Poems,Fei Ming also tries to find a precedent for the modern poetry allusion and construct the theoretical basis for the modern poetry allusion.Fei Ming also challenged the traditional view of“elegant and upright”literature in terms of aesthetic form,and praised the“beautiful sorrow”in the sentimental poetry of the late Tang Dynasty.Fei Ming's unique interpretation of the poetic style of Wen&Li in the late Tang Dynasty provides a creative way for modern poetry to be transformed into classical tradition.