鼓浪屿近代建筑水刷石装饰艺术特征研究

Research on the Characteristics of the Decorative Art of Water Brushed Stone in Modern Buildings in Gulangyu Island

国内近代建筑水刷石装饰艺术起始于19世纪末的一些海派建筑中,呈现出中西合璧、图形丰富、寓情于景的装饰特点。文章基于对鼓浪屿近代建筑水刷石进行实地调查,系统梳理鼓浪屿水刷石的建筑装饰图形、产生的社会历史语境和文化内涵。一方面,从图像学的视角对水刷石的艺术特点进行深入探究,另一方面,研究水刷石装饰艺术形成的机制与影响来源,以求归纳总结出近代华侨建筑的艺术审美特征;最后,以求管窥闽南华侨文化内涵,为近代建筑装饰艺术的转型与创新提供些许借鉴。

The decorative art of water brushed stone in modern architecture in China began in some style buildings at the end of the 19th century.This research is based on the field investigation of the modern architectural water brush stone in Gulangyu,and systematically sorts out the architectural decorative graphics,social and historical context and cultural connotation of the water brush stone in Gulangyu Island.On the one hand,from the perspective of iconography,the artistic characteristics of Shuishui stone are deeply explored,in order to have a glimpse of the cultural connotation of overseas Chinese in southern Fujian,and provide some references for the transformation and innovation of modern architectural decorative arts.