安杰利科绘画语言研究——以圣马可修道院安杰利科绘画作品为例

A Research on Fra Angelico's Painting Language-A Case Study on His Works Portraying Convento di San Marco

安杰利科为圣马可修道院绘制的一系列用于帮助修士冥想,启发想象的壁画,是安杰利科最具代表性的作品,也是其虔诚信仰在内心的真实映像,这些作品显示出安杰利科精通当时最新发展起来的透视法则和写实技法。该文以圣马可修道院安杰利科壁画作品为例,从透视法的运用、构图、色彩出发分析安杰利科作品中的精神美、形式美和图画美。圣马可修道院一系列展示种种神迹的圣经故事壁画很好地证明了,安杰利科在个性、艺术、科学与信仰中找到了连接的平衡点,这也符合文艺复兴时期各学科打破隔阂,相互促进的特点。在这一系列作品中安杰利科利用文艺复兴新发展起来的绘画新方法,通过简朴优雅的构图、纯粹素雅的色彩,以充满人性关怀的画面表达了其虔诚的信仰。

Fra Angelico's most representative works,a series of murals depicting Convento di San Marco,bestowed meditation and inspiration upon the friars and manifested the author's devout inner world.These works symbolize Angelico's excellent grasp of the newly developed perspective law and realistic technique of that time.Taking his murals on Convento di San Marco as a case,this paper appreciates the beauty in spirit,form and painting of Angelico's works from the views of his application of the perspective law,composition and colors.In Convento di San Marco,a series of murals which portray various miracle stories in the Bible,serve as compelling proofs that Angelico found the balance to connect individuality,art,science and faith.This was consistent with the development of all other disciplines in the Renaissance period,with the aims of breaking the shackles between each other and realizing mutual promotion.In these woks,Angelico used the newly developed painting method of the Renaissance time,coupled with simply elegant composition and purely plain colors to create paintings infused with humanity,thus expressing his devout belief.