苗疆走廊汉传民间舞蹈的“同构异态”——以贵州“花灯舞”为中心

Isomorphism and Different States of Han Chinese Folk Dance in Miaojiang Corridor——Focusing on“Lantern Dance”in Guizhou

苗疆走廊是一条横亘云贵高原的“活态”文化走廊,有20多个民族分布其间,民族民间舞蹈文化资源十分丰富。“花灯舞”是汉传“花灯”的重要组成部分,它于明清时期随汉族移民传入云贵高原地区,其传播区域主要是苗疆走廊沿线地区,具有较明显的“线性文化空间”特征。云贵地区“花灯舞”具有自身的地域特点,也深受苗、布依等族民众所喜爱,但其底层逻辑依然是相同的,在舞蹈形态上呈现的民族民间多样性特色本质上是“异态”而非“异质”。

Being a“living”cultural corridor across the Yunnan-Guizhou Plateau,with more than 20 ethnic groups distributed in it,the Miaojiang Corridor is rich in the resources of national folk dance culture.The paper maintains that“lantern dance”is an important part of Han Chinese“lantern dance”,which was introduced into the Yunnan-Guizhou Plateau by Han immigrants during the Ming and Qing Dynasties.Its spread area is mainly along the Miao Xinjiang Corridor,with obvious characteristics of“linear cultural space”.The“lantern dance”in Yunnan-Guizhou area has its own regional characteristics and is deeply loved by the Miao,Buyi and other ethnic people,but its underlying logic is still the same,and the ethnic and folk diversity characteristics presented in the dance form are isomorphic rather than essentially“different”.