歌剧《康定情歌》导演构想与中国歌剧之思

The Director’s Conception of the Opera Kangding Love Song with the Thoughts of Chinese Opera

《康定情歌》作为一部弘扬“两路”精神的原创歌剧,呈现出鲜明的时代性和民族性。这种时代性和民族性不仅体现在戏剧与音乐中,而且还体现在导演构思中,诉诸舞台呈现和表导演风格。其时代性在于从舞美设计、多媒体应用、剧场环境所营造出的时代特征;其民族性在于虚实结合的中国传统审美观念。歌剧《康定情歌》的创作和排演遵循歌剧艺术规律,体现出“歌剧思维”,彰显中国风格和中国特色,引发人们关于如何发展中国歌剧的思考,尤其是作为院校创演歌剧,如何在“教创演研一体化”人才培养模式中发挥作用的思考。

As an original opera that promotes the“spirit despite of hardships”,Kangding Love Song presents a distinct contemporary and national character.This kind of contemporary and national character is not only reflected in drama and music,but also in the director's conception,resorting to stage presentation and directorial style.Its contemporary nature lies in the characteristics of the times created by stage design,multimedia applications,and stage environments,while its national character lies in the traditional Chinese aesthetic concept of combining the virtual and the real.