数字人文视域中的元代江韵诗研究

A Study of Yuan Dynasty River Rhyme Poetry in the Perspective of Digital Humanities

在对《全元诗》进行全面统计分析之后,可以发现《全元诗》中共有207位诗人创作的456首江韵诗。通过对韵脚分布、出韵情况、韵脚组合、次韵分韵、诗风与用韵关系等方面的考察,会发现元代江韵诗的情况与唐宋两代相似,也存在核心韵脚、常见韵脚组合等现象。这同样使元代的江韵诗风以平易为主,同时也有篇幅长、用韵僻、构思奇的奇崛之作。明清两代的江韵诗中,应当也有核心韵脚与常见韵脚组合的情况。到了清代,逞才之风发展到极致,三江全韵诗大量涌现。

After a comprehensive statistical analysis of Quan Yuan Poetry,we find that there are 456 Jiang rhyme poems written by 207 poets in Quan Yuan Poetry.By examining the distribution of rhymes,rhyming situations,rhyme combinations,sub-rhymes,and the relationship between poetic style and the use of rhymes,it is found that the situation of Jiang rhyme poems in the Yuan Dynasty was similar to that of the Tang and Song Dynasties,with the existence of core rhymes and common rhyme combinations,which also made the Jiang rhyme poetic style of the Yuan Dynasty predominantly plain and simple.At the same time,there were also strange works with long length,rare rhymes and unique ideas.In the Jiang rhyme poems of the Ming and Qing dynasties,there should also be a combination of core rhymes and common rhymes.In the Qing Dynasty,the trend of showcasing literary talent reached its peak,and a large number of poems with San Jiang rhyme emerged.