殖民·影像·言说:基于“满铁”映画的考察

Colonial,Image and Sagen:Based on“Mantie”Investigation

“满铁”映画自1923年成立始,至1941年并入“满映”,其在东北地区的电影活动长达18年之久,拍摄了大量影片,这种通过影像塑造殖民地的方式都被之后的“满映”所沿用。“满铁”映画所拍摄的影片是日本侵华史的有力证言,透过影片可以窥见作为权力文本的“满铁”映画借助影像符号塑造了“新国家”、建构了充满“现代”意味的都市与工业景观,也书写着“听话的身体”,妄图将日本殖民者侵略行为合理化、合法化,将日本殖民下的伪满洲国塑造成一个“五族协和”的“王道乐土”。

“Mantie”film company was founded in 1923 and later merged in“Manying”,which acted in the northeast almost 18 years,and made a large number of films presenting the colony.The way of representation was absorbed by the later“Manying”.The films made by“Mantie”are photographic testimonies of the Japanese invasion of China.Through the films,“Mantie”shaped the“new nation”with the help of image symbols,constructed a modern urban and industrial landscape,and also described“submissive bodies”,who tried to rationalize and legitimize the aggression of the Japanese colonialists and disguised the Puppet Manchukuo under Japanese colonization as a national harmony paradise.