“异变”时空下民族“隐言”的表达--以《中国文艺》为中心

The Expression of National“Latent Ideas”in the Variation of Time and Space:Centered on Chinese Literature and Art

《中国文艺》是沦陷时期北平最有影响的文学期刊,自创刊起便以刊载“纯文学”的办刊原则表明了疏离政治的文化立场,从而引起了北平有识文人的关注与认同。他们以此为文学阵地,秉持着民族心绪发表了大量的文学作品,间接表明了对日伪政权的不满。然而在特殊的政治语境下,欲求文学的自救以重振民族精神,终究举步维艰,于是《中国文艺》以“隐言”的表达策略拓展民族启蒙话语空间,展写有识文人的民族情怀,呈现出民族文学的创作追求。在《中国文艺》所集结的作家的共同努力下,荒芜的北平文坛得到复苏,一定程度上增强了北平文坛的民族向心力。

Chinese Literature and Art was the most influential literature journal in Peiping during the enemy occupied period.Since its first issue in September 1939,Chinese Literature and Art had demonstrated its principle of publishing“pure literature”,which showed clearly its cultural standpoint of being away from politics,and thus it became the focus of and was welcomed by insightful literary persons in Peiping.They took it as the field of literature,and published a great amount of literary works upholding the national mind and spirit.In this way they expressed indirectly their dissatisfaction with the Japanese military power.However,in the special political context,it was extremely difficult to revitalize the spirit of the nation by seeking self-help in literature.Therefore,Chinese Literature and Art resorted to the strategy of“latent ideas”expressions to broaden the space of words of national enlightenment,showed the national emotions of insightful literary persons,and demonstrated the pursuit of national literature creation.With the joint efforts of the writers of Chinese Literature and Art,the bleak literature arena was revived,which strengthened its national centripetal force to some degree.