论《牡丹亭》中“画像”的运用

On the Application of"Portrait"in"Peony Pavilion"

《牡丹亭》是汤显祖的代表作,“画像”作为剧中的重要道具,涵盖了自画像、替代物以及杜丽娘的个性表现等意义。首先,“画像”作为线索串联全剧叙事,推动情节发展;其次,“画像”有助于深入解读剧中的人物形象;此外,“画像”也有助于解析汤显祖的至情观。基于此,诠释“画像”在本剧中的运用可以视为探析《牡丹亭》的一把钥匙。

"PeonyPavilion"is Tang Xianzu's masterpiece,"portrait"as an important prop in the play,covering the meaning of self-portrait,substitute and personality expression of Du Li-niang.First,the portrait"serves as a thread that links the narrative of the play and drives the plot;secondly,the portrait"helps to read the characters in depth;moreover,the portrait"also helps to analyze Tang Xianzu's supreme sentiment.