摘要
刘熙载秉承清代词学尊体的追求,在《艺概》中多处运用“以诗论词”的方法,将诗及诗话引入词论中,其范围涵盖了词作、功能、作品等方面,意在打破诗词界限,使词向诗靠拢。“以诗论词”是刘熙载本人的论词倾向和审美趣味的具体反映,也是清代词体推尊进程的重要环节。
Liu Xizai adhered to the Qing Dynasty’s pursuit of lifting the status of Ci(词),used the method of“Criticism of Ci with Poetry”extensively in his Yigai,introducing the poetry and poetic criticism into Ci criticism,the scope of which covers the composition,function,and method of Ci,which was intended to break the boundaries of poetry and Ci and make the Ci closer to the poem.“Criticism of Ci with poetry”is a specific reflection of Liu Xizai’s own preference and aesthetic interest in Ci,but also an important part of the process of lifting the status of Ci in the Qing Dynasty.
作者
张力尹
冯小禄
ZHANG Li-yin;FENG Xiao-lu(School of Literature,Yunnan Normal University,Kunming,650500,Yunnan)
出处
《蚌埠学院学报》
2024年第3期37-41,共5页
Journal of Bengbu University
基金
国家社会科学基金项目(18BZW057)。
关键词
破体
尊体
推尊词体
以诗论词
词学批评
stely-breaking
stely-lifting
lifting the status of Ci
criticism of Ci with poetry
Ci criticism