摘要
在哲学中局部和整体是相互联系,密不可分的,绘画创作中也是如此,通过局部的描写可以联想到事物的整体,而在整体的创作中有包含局部的绘画,在绘画创作中构图的方式各不相同,一些画家通过对素材局部的放大绘画来吸引欣赏者的眼球,使他们能够从局部的内容联想到整体的情景,给人以浮想联翩,虚幻缥缈的感觉,本文主要通过对绘画创作中的局部视角概念进行简单的阐述,通过一些案例来分析产生局部视角的原因以及局部视角的特点,希望在绘画创作中通过局部视角的创作,使得更多的画家在局部视角领域有新的突破,并且能够表达画家的创作内容。
In the philosophy, local and whole are interrelated and inseparable, so is the painting creation, through the partial description can be associated to the whole thing, but in the overall creation include local painting, composition in painting in different ways, some of the local artists through amplification of painting material to attract the viewer's attention, so that they can from the local see the whole content, give a person with unreal ethereal feeling, fall into a reverie, this paper mainly through the simple introduction of the concept of local perspective in painting creation, to analyze the causes of the local perspective and from the perspective of local characteristics through some cases, help artist makes more new breakthroughs in the local field of view, and be able to express the painter creative content.
出处
《佳木斯职业学院学报》
2016年第12期306-307,共2页
Journal of Jiamusi Vocational Institute
关键词
绘画创作
局部视角
整体
原因分析
painting creation
local angle of view
whole
reason analysis