摘要
1939年初,伪满洲国女作家梅娘随赴任《华文大阪每日》编辑的丈夫柳龙光,离开伪满洲国来到日本,继续从事文学创作。在日本居住的两年时间里创作的部分作品中塑造了一些朝鲜人形象,这表示梅娘对朝鲜人有着一定的关注和认识。梅娘通过对作品中朝鲜人形象的塑造,表现其对朝鲜人的态度,同时也可考察梅娘的丈夫柳龙光对朝鲜的态度,这有助于更加正确地把握梅娘的朝鲜观,也有助于更为正确把握梅娘整体的文学观。
At the very beginning of 1939, Mei Niang, a renowned female writer during Manchukuo period, chose to leave for Japan with her husband Liu Longguang, who was the newly appointed editor of the Journal Mainichi Osaka(Chinese Version) to continue her literary writings. During her two years' stint in Japan, some typical Korean images can be found in many of her literary creations, which displayed her great concerns for the Koreans. Besides, the portrayal of the images of many Koreans in her writings can also reveal her unique attitudes towards Koreans as well as those of her husband's, which, in turn, contributes to eliciting the accurate capture of her viewpoints of Koreans and Literature in the analysis her works.
出处
《沈阳师范大学学报(社会科学版)》
2016年第5期15-19,共5页
Journal of Shenyang Normal University(Social Science Edition)