摘要
20世纪30年代苏联、日本、中国等无产阶级文学的兴盛,是世界近代文学史也是思想史上的一大转折。近年来中国"革命文学"又重新引起了人们的注意,并开始进行了一种回归性的判断。无产阶级文学绝不是单纯的艺术运动,是带有思想解放和思想限制的双重性质的社会运动。这一属性就为人们从文本的思想主题出发,进行外在的批评提供了充分的依据。中日无产阶级小说是一种事实的关联,也是一种思想的关联。在苏联文艺思潮的影响下,各自文学的主题在一致中表现出了明显的差异性。
The USSR's ,the Japanese and Chinese proletarian literature's thriving in the 30's of 20th century was the major turning point in the history of modern world of literature. In recent years Chinese 'revolution literature' has been drawing people's attention again, and has started to be judged in a way of reminiscences. The proletarian literature is never a merely artistic movement ,but a social movement with the dual nature of ideological liberation and ideological restriction. This kind of nature gives people the sufficient reason to make external criticism based on the text's ideological theme. The connection of Japanese and Chinese proletarian novels is the connection of facts as well as the connection of ideas, while the respective literature has showed obvious differences in the theme influenced by the artistic trend of the former USSR.
出处
《吉林大学社会科学学报》
CSSCI
北大核心
2003年第5期42-48,共7页
Jilin University Journal Social Sciences Edition
基金
国家社会科学基金规划项目(98BJW023)
关键词
无产阶级文学
中日文学关系
文学形象
思想变异
proletarian literature
the literary relation between China and Japan
literary image
ideological transition