乡民艺术鉴赏的多向度解构与重构——基于运河乡民艺术的哲学审视

Multi-dimensional Deconstruction and Reconstruction of Rural Art Appreciation——Philosophical Examination on Canal Rural Fork Art

乡民艺术根植于乡土社会,立足中国传统社会与文化的宏观背景,是基层乡土社会重要的文化表征实践,对于乡村文化空间的建构具有重要的意义。文章通过对乡民艺术鉴赏的多元维度、价值取向和路径的解析,以运河流域乡民艺术为例,实现乡民艺术鉴赏多向度的重构。乡民艺术区别于其他的艺术形式,具有特殊的审美关切和意义。其一,乡民艺术具有多元的艺术形态,是极为丰富的体验源泉;其二,乡民艺术的鉴赏向整个村落语境而敞开,是兼具自然性与历史性的艺术形式;其三,常识与科学知识是乡民艺术鉴赏由琐碎肤浅走向严肃深刻的必要条件。乡民艺术所涉及的知识性的、概念性的空间是广阔的,鉴赏乡民艺术文本不只局限于其艺术本体,还包含文本中所凝结的各种自然和历史性的意义生产。

Rural art is rooted in the local society and based on the macro background of Chinese traditional society and culture.It is an important cultural expression practice in the grass-roots level of local society and is of great significance to the construction of rural cultural space.Taking the rural art along the canal as an example,this article tries to realize the reconstruction of the multi-dimensional degree of rural art appreciation.Rural art is different from other forms of art and has special aesthetic concern and significance.First,rural art has multiple artistic forms;second,the appreciation of rural art is open to the whole village context,an art form that embedding both natural and historical elements;third,common sense and scientific knowledge are necessary for upgrading the depth of rural art appreciation.The intellectual and conceptual space involved in rural art is broad.Appreciation of rural art texts is not only limited to their artistic subject,but also contains a variety of natural and historical significance.