论苏轼长调慢词的创作成就

The Creative Achievement of Sushi’s Slow Tune

苏轼曾受到"不协音律"一类的批评,主要指向的是其长调慢词,从而影响和遮蔽了历代对东坡长调慢词的深入研究。事实上,苏轼的长调慢词虽只有17调41首,数量不及其小令和中调之多,却取得了非常突出的创作成就。主要表现在五大方面:其一,提高词品,厥功甚伟;其二,开拓词境,成就卓著;其三,革新词风,贡献巨大;其四,创用新调,意义非凡;其五,推进词律,颇有建树。在词品、词境、词风的提升、拓展与创新方面,东坡的长调慢词取得了以少胜多、承前启后的革新开拓成就,在用调和词律方面,东坡的长调慢词创作也并非不懂音乐不守律,而是对用调创调和词体词律也做出了探索与贡献。

There have been criticisms of Sushi’s Ci for the works’"rhythm inharmonious",which mainly target his slow tune.Because of this,Sushi’s slow tune was lack of study in academic history.In fact,although the amount of Sushi’s slow tune was less than that of his short tune and middle tune,his poetry of slow tune has outstandingly obtained creative achievement.The achievement is represented in five aspects:firstly,enormous contribution to improving the quality of Ci;secondly,remarkable accomplishment of expanding the realm of Ci;thirdly,tremendous contribution to reforming the style of Ci;fourthly,vital significance of using new tunes;fifthly,important influence on advancing the rhythm of Ci.In the aspects of improving the quality of Ci,expanding the realm of Ci,reforming the style of Ci,Sushi’s slow tune has achieved innovative and expansive goals which serve as a link between the past and the future.In the aspects of tune selection and rhythm,Sushi’slow tune also has made exploration and contribution.