摘要
江南传统村落,作为中国传统村落的典型代表,在城镇化的快速推进过程中,逐渐走向没落。重新激发江南传统村落公共空间活力,提升公共空间品质,赋予江南传统村落新的内涵,增强当地居民地方认同感的同时,带动当地的经济复苏,在新时代变得尤其重要。面对传统的物质改造很难持续为传统村落保护与更新带来动力的问题,日本越后妻有大地艺术祭以公共艺术为切入点,为乡村振兴提供了全新的思路。本文借鉴了日本越后妻有公共艺术空间营造方法,研究探索宁波市东钱湖陶公堤公共艺术空间规划及策略,以期为国内江南传统村落空间品质提升提供更开阔的思路。
Traditional villages in the south of the Yangtze River,as a typical representative of traditional Chinese villages,have gradually declined in the process of rapid urbanization.It has become especially important to re-energize the Jiangnan traditional villages,to give new connotations to the Jiangnan traditional villages in the new era,to enhance the local identity of local residents and to drive the local economic recovery.Facing the problem that it is difficult for traditional material transformation to continuously bring power to the protection and renewal of traditional villages,the Japanese Echigo Tsubasa Art Festival uses public art as an entry point to provide a new idea for rural revitalization.This paper draws on the Japanese Echigo Tsubasa public art space construction method,researches and explores the public art space planning and strategy of Taogong Embankment,Dongqian Lake,Ningbo City,in order to provide a more open idea for the improvement of domestic traditional village space quality in Jiangnan.
作者
保林彤
王林
Bao Lintong;Wang Lin
出处
《中外建筑》
2021年第2期136-139,共4页
Chinese & Overseas Architecture
关键词
江南传统村落
空间品质提升
公共艺术
乡村振兴
规划策略
Jiangnan traditional villages
space quality improvement
public art
rural revitalization
planning strategies