印象·寻根·解构:汪曾祺小说创作流变因子探析

Impression,Roots,Deconstruction:An Analysis of the Rheological Factors of Wang Zengqi’s Novel Creation

“变”是汪曾祺小说创作历程的特色之一。其初期小说创作常采撷生活中的种种印象,将历时性的时间片段剪辑为重新排列的静态画面集合,生命成为“存在”空间中的景观,碎片化的空间集合被凝聚为独特的时间结构。1961年的小说创作可视为汪曾祺创作流变中的重要节点,此后其小说创作以语言为本体探索对文学语言的视觉表现,同时从地域视野寻找文化与传统之根,在回忆书写中将初期的直接思想表达转为寓道理于现象,探寻一种理想生活得以实现的形态,生活因素所占比重逐渐增加,时空结构逐渐清晰,缩短了文本与生活的距离,实现了时代与过去的连接。

“Change”is one of the themes in the creative process of Wang Zengqi's novels.In his early novels,he often extracted various impressions from life,and edited the time fragments that existed in diachronic forms into a rearranged collection of static images,in which life is a landscape that always“exists”in space,and the fragmented collection of space is condensed into a unique temporal structure.Wang Zengqi's novel creation in 1961 can be regarded as one of the important nodes in the flow of his creation.Since then,his novel creation takes language as the ontology,exploring the visual expression of literary language,and at the same time,based on a certain regional vision,looking for the roots of culture and tradition.In the memory writing,the direct expression of thought in the early stage is transformed into a form that combines reason with phenomenon and explores the realization of an ideal life.The proportion of life factors in the text has gradually increased and the structure of time and space has gradually become clear,shortening the distance between the text and life,realizing the connection between the times and the past.