摘要
遣物畅情是宋代瓷器具有基础性、意向性和实践性的接受方式,兼顾艺术消费和器物实用双重接受意图,偏重对瓷器艺术性与工具性的综合性使用,彰显世俗性和平民化的日常生活气息,具有表浅化和娱乐化的接受美学特征。以瓷器为典型的物质消费和器物日用,在宋代已成为大众审美文化的符号象征。宋代瓷器艺术接受在遣物畅情方式支配之下,具备夸饰性消费文化特征,瓷器艺术的膜拜价值超越其审美价值与使用价值。
To free emotions through objects is a basic,intentional and practical way of receiving the Song Dynasty porcelain,which gives consideration to the double acceptance intention of artistic consumption and utility of objects,emphasizes the comprehensive use of the artistry and instrumentality of the porcelain,highlights the common and ordinary flavor of daily life with superficial and entertaining reception aesthetic characteristics.Material consumption and utensils for daily use with porcelain as a typical mark has become a symbol of the public aesthetic culture in the Song Dynasty.The receiving mode of porcelain in the Song Dynasty was dominated and controlled by the way of freeing emotions through objects and had the characteristics of the culture of exaggerated consumption.The worship value of the porcelain art exceeded its aesthetic value and use value.
作者
李金来
LI Jin-lai(School of Culture and Media,Guiyang University,Guiyang 550005,China)
出处
《郑州师范教育》
2021年第4期72-75,共4页
Journal of Zhengzhou Normal Education
基金
国家社科基金艺术学西部项目“宋元时期中泰瓷器艺术比较研究”(18EG218)阶段性成果
贵阳学院2021年校级教育教学改革项目《新文科背景下艺术学课程建设研究》(gysx-202121249)阶段性成果
关键词
遣物畅情
宋代瓷器
膜拜价值
夸饰消费
to free emotions through objects
porcelain in the Song Dynasty
worship value
exaggerated consumption