摘要
诗电影是从西方发展而来的电影形态。中国的诗电影有着不同于西方的别样韵味。中国诗电影在内容上轻叙事、注重意境的营造,在形式上追求画面的唯美和声音的婉转悠扬,这与中国传统绘画审美特征相似,可谓是一种"有意味的形式"。电影作为一门较年轻的艺术,对绘画艺术有一定程度的借鉴。在快节奏、商业片泛滥的今天,中国诗电影与中国传统绘画艺术的完美结合有助于吸引受众对传统艺术的关注,进而丰富中国电影生态。
Poetry film is developed from the West while Chinese poetry film has a different charm from the West.In content, Chinese poetry films pay less attention to narration but more attention to the creation of artistic conception. In terms of form, the pictures are beautiful, and the sound is melodious, which is similar to the aesthetic characteristics of traditional Chinese painting, which can be described as "meaningful form". As a younger art, film draws on the art of painting to a certain extent. In today’s fast-paced and blockbuster films era, the combination of Chinese poetry film and traditional painting art is conducive to arousing public’s attention to traditional art, so as to better enrich the Chinese film ecology.
作者
郄欣萌
QIE Xinmeng(Art and Design School of Yunnan University,Kunming,Yunnan,650091,China)
出处
《浙江树人大学学报》
2021年第2期88-93,共6页
Journal of Zhejiang Shuren University
关键词
审美
传统绘画
中国诗电影
有意味的形式
aesthetic
traditional painting
Chinese poetry film
meaningful form