摘要
南齐末年,沈约与谢朓先后出守东阳与宣城。文章考察两人外放的背景、梳理两人在上任途中及为官期间所作的山水诗,并将两人外放时期的山水诗置于整个时代的大背景下进行考察,认为两人外放时期的山水诗在诗歌体式上正处于大谢体与永明体共存与竞争的时期;在诗歌意境上发展了山水诗情景交融的特色;在诗学思想上能够将圆滑流转的主张较好地运用于山水诗中;在创作意旨与心理上成为后世贬谪山水文学的早期形态,在中国古代山水诗史上具有重要意义。
In the late Southern-Qi Dynasty,Shen Yue and Xie Tiao were exiled in Dong Yang and Xuan Cheng.This paper examines the background of the two and reviews their landscape poems during their official career.The landscape poems during the period of the two’s exile are examined in the context of the entire era and it is believed that the styles of the landscape poems were in the period of coexistence and competition between the Da Xie style and the Yong Ming style.In the poetic mood,the characteristics of the blending of landscape and poetry scenes were developed,while in the poetic thoughts,the idea of smooth circulation was better applied to landscape poems.In creative intention and psychology,they became an early form of derogating landscape in later generations.They are of great significance in the history of ancient Chinese landscape poetry.
作者
吕红光
Lv Hongguang(Humanities and Foreign Language School of Zhejiang Shuren University,Hangzhou,Zhejiang,310015,China)
出处
《浙江树人大学学报》
2020年第1期94-99,共6页
Journal of Zhejiang Shuren University
关键词
沈约
谢朓
东阳
宣城
山水诗
Shen Yue
Xie Tiao
Dong Yang
Xuan Cheng
landscape poem