民国诗坛“新”与“旧”之变奏——以“身份错位”的诗人诗歌创作为中心

Variation between "New" and "Old" Styles in the Poetic Circles of the Republic of China —Center on the poetic creation of poets with "misplaced identity"

诗歌的新与旧,是民国诗学避不开的一个重要议题。一般说来,新体诗是欧化的、外来的语体诗,旧体诗是传统的、本土的古典诗,二者存在尖锐的矛盾和深重的隔阂。但是,大量的旧体诗人新诗之尝试和新文学家旧诗之创作现象,却值得玩味。这种"身份错位"的创作现象,引起时人的关注,也引发他们对诗歌"新"与"旧"作进一步探讨。从众多的论述文字中,可以看出,他们对新诗和旧诗,多怀宽容与学习的态度,持可调和之论,并希望新、旧体诗"取之所长,补之所短",健康发展。

The"new"and"old"styles of poetry is an important issue that cannot be avoided in the poetics of the Republic of China.Generally speaking,new style poetry is Europeanized,foreign style poetry,and old style poetry is traditional,native classical poetry.There is a sharp contradiction and a deep gap between the two.However,interestingly enough,a large number of old style poets were attempting to write new style poems and new style poets were creating old style poems.This kind of"identity misplacement"phenomenon aroused people’s attention at that time,and also caused them to further explore the"new"and"old"style poetries.From the numerous expositions,it can be seen that those poets had a more tolerant and learning attitude towards the new and old style poetries,and held the two could be blended,thus they hoped that the new and old style poetries would welcome sound development by"taking advantage of their strengths and complementing their weaknesses."