摘要
朱光潜的美学思想通过归纳艺术的欣赏与创造的经验而得出关于美的艺术的基本原理,具有艺术美学的品质,他著名的“人生的艺术化”命题也与这种艺术美学的思想忻合无间。因此,本文试循着“个别艺术问题”—“一般艺术问题”—“人生艺术问题”的梯径,根据“诗”与“戏”这两种艺术的审美特质,联系其对艺术的欣赏与创造问题的说明,得出朱光潜是把人生在心灵中创造为一种“诗化的戏”来观演而实现“人生的艺术化”。“看戏”与“演戏”又是一对涉及了“出世”与“入世”、“知”与“行”等问题的概念,它解释了审美如何借“看戏”达于“知”,又如何指导着“行”,说明了“人生的艺术化”的深层含蕴——审美价值是一种向着善与真打开的价值;也说明了“人生的艺术化”的理想状态虽不止于欣赏,但必须由欣赏打开。
Zhu Guangqian’s aesthetic thought derives the basic principles of beauty art by summarizing the experience of art appreciation and creation,which has the quality of artistic aesthetics,and his famous proposition of“the artistic of life”is also in harmony with this artistic aesthetic thought.Therefore,this paper tries to follow the ladder of“individual art problems”—“general art problems”—“life art problems”,according to the aesthetic characteristics of the two arts of“poetry”and“drama”,and in connection with their explanation of the appreciation and creation of art,it is concluded that Zhu Guangqian creates life in the soul as a kind of“poetic drama”to watch and perform,and realizes the“artistic of life”.“Watching a drama”and“acting”are a pair of concepts involving“detachment”and“involvement”,“knowing”and“practice”,which explains how aesthetics can achieve“knowing”through“watching drama”,and how it guides“practice”,and explains the deep connotation of“the artistic of life”—aesthetic value is a value that opens to goodness and truth;It also shows that the ideal state of“the artistic of life”is not only appreciation,but must be opened by appreciation.