中国文艺美学研究的守正与创新——论蒋孔阳的先秦音乐美学研究

Innovation Based on Past Achievements in Research of Chinese Aesthetics of Literature and Art:On Jiang Kongyang’s Study of Music Aesthetics in Pre-Qin Dynasty

蒋孔阳先生是我国当代著名的美学家。他的《先秦音乐美学思想论稿》是中国文艺美学断代史研究的经典之作,他以马克思主义为指导,把“礼乐”看作构成先秦诸子音乐美学矛盾的主要方面,并以此对先秦音乐美学思想进行挖掘、归纳、比较和评说,展现了诸子百家不同的审美意识与政治伦理。蒋孔阳不仅充分挖掘出先秦时代的音乐美学资源,而且对先秦音乐美学思想进行了创造性转化,在守正与创新中建构起新的美学理论——“审美关系”说。

Mr.Jiang Kongyang was a famous aesthetician in contemporary China.His Monograph on Pre-Qin Music Aesthetics Thoughts is a classic work of dynastic history research of Chinese aesthetics of literature and art.With his Marxist perspective,he regarded rites and music as the main aspect of the pre-Qin music aesthetics contradictions.He explored,summarized,compared,and commented on the pre-Qin music aesthetics,and showed the different aesthetic consciousness and political ethics of the pre-Qin scholars.Jiang Kongyang explored the resources of pre-Qin music aesthetics.He brought the creative transformation of pre-Qin music aesthetics and constructed a new theory of aesthetic relationship.