“直觉”与“意象”概念的跨文化变异与重生——以朱光潜接受克罗齐美学为例

Cross-cultural Transformation and Rebirth of Intuition and Image——A Case Study of Zhu Guangqian Accepting Croce’s Aesthetics

对情与理的辩证思考,是朱光潜接受克罗齐美学的重要前提。在此基础上,朱光潜将中国传统美学思想中的心物交感论与移情论、距离说以及内模仿等西方现代审美心理学说相互融合,对克罗齐美学中的直觉和意象等概念加以跨文化的阐发与改造,使之在中国文化语境里发生变异与重生,并逐渐成为中国现代美学中的固定话语概念,从而构成了传统美学向现代美学过渡的形式关联。考察这些概念在朱光潜美学思想中的内涵演变,不仅能够清晰地呈现朱光潜对克罗齐美学吸收与改造的具体过程,还能彰显朱光潜融合中西、汇通古今的治学特点。

The dialectical analysis of emotion and reason is an important premise for Zhu Guangqian to accept Croce’s aesthetics.On this basis,by integrating the traditional Chinese theory of heart-object sympathy with the Western aesthetic psychological theory of empathy,distance and inner imitation,Zhu Guangqian transformed the concepts of intuition and image of Croce’s aesthetics in the Chinese cultural context,thus making them gradually become a fixed discourse concept in modern Chinese aesthetics.Examining the cross-cultural transformation of these concepts clearly shows how Zhu Guangqian integrated ancient and modern,Chinese and Western aesthetic thoughts in his academic studies.