中华美学的多元建构与意义生发——中华美学学会第九届全国美学大会暨“新时代中国特色美学基本问题研究”国际学术研讨会综述

The Multiple Constructions and Meaning Generation of Chinese Aesthetics——The Ninth National Aesthetics Conference of the Chinese Society of Aesthetics and the International Symposium on Aesthetics with Chinese Characteristics in the New Era

2021年11月13—14日,由中华美学学会和深圳大学主办、深圳大学美学与文艺批评研究院承办的“中华美学学会第九届全国美学大会暨新时代中国特色美学基本问题研究”国际学术研讨会在深圳隆重召开。本次大会的主题是新时代中国特色美学基本问题研究,众多学者就“古今融通下的美学建构”“中西互鉴中的美学发展”“本土原创美学思想的创造性阐发”“新时代的美学挑战及美学对乡村振兴的介入”以及“美育的理论及实践”等论题展开了深入讨论。本次大会,彰显了中华美学的新形态,是中华美学再次出发的起点。

From November 13 to 14,2021,the Ninth National Aesthetics Conference of the Chinese Society of Aesthetics and the Research Institute of Aesthetics and Literary Criticism of Shenzhen University,organized by the Chinese Society of Aesthetics and Shenzhen University,and hosted by the Institute of Aesthetics and Literary Criticism of Shenzhen University,held an international symposium on“Aesthetics in a New Era”in Shenzhen.The theme of the conference was“Aesthetics with Chinese Characteristics in the New Era”,and many scholars discussed“Aesthetic Construction under the Integration of the Ancient and the Modern”,“Aesthetic Development in the Mutual Understanding of the East and the West”,“Creative Explanation of Original Local Aesthetic Ideas”,“Aesthetics in the New Era”,and“Aesthetics in the New Era”,“Aesthetic Challenges in the New Era and Aesthetic Interventions in Rural Revitalization”and“Theory and Practice of Aesthetic Education”were discussed in depth.This conference is a new form of Chinese aesthetics and a starting point for the relaunch of Chinese aesthetics.