摘要
分析情境是精神分析的基本场景,因其可复制和可移植性,成了一种美学实践方案。拉康从精神分析角度重新梳理了主体与他者的相互作用关系,归纳了分析情境中主体欲望流转的主要方式,即转移和侵凌。在人与文学艺术构成的分析情境中,人作为分析师或分析者,始终要守持自身主体性。文学艺术作为缄默的始终在场者,为人在象征界中开辟了面向实在界的空间,并以此作为契机,抵御象征界、想象界对人之主体性的挤占,使主体能够向内进行自我确证。
The psychoanalytic situation is the basic scene of psychoanalysis,it can be an aesthetic practice way because of its replicability and transposability.Lacan reconsidered the interaction between the subject and the other from the perspective of psychoanalysis,summarized the main ways in the transfer of subject’s desire,that is,transference and aggressive.In the psychoanalysis situation which constructed by human and literature and art,as analyst or an analysand,man must always maintain his own subjectivity.As the always silent presence,literature and art have developed a space for human to face the real in the symbolic and take it as an opportunity to resist the occupation of human subjectivity by the symbolic and the imaginary,so that the subject can make the self-confirmation from inside.
关键词
分析情境
主体间关系
美学实践
自我确证
Psychoanalysis situation
Relationships between subjects
Aesthetic practice
Self-confirmation