元祐文人圈题画酬唱与北宋文人画观

On the Poem Inscribed on Painting of the Literati Circle During Yuan You Period and the Literati Painting’s Theory in Northern Song Dynasty

题画酬唱作为元祐文人雅集时的新形式,虽以松散自由的体式援诗入画、体察品评,在理论的系统性和深度上受到限制,但仍然对北宋文人绘画观念形成了积极影响。一方面,它拓宽了元祐文人唱和诗的交流功能,推崇揄扬、和而存异,既与苏轼为代表的文人画观保持一致,又以争鸣和比试的心态发表个人见解,为建立平衡的北宋文人画观提供了特殊的品论模式。另一方面,它补充了一般唱和诗的艺术实践功能,贯通"以诗论画"和"画论入诗"这两种参评机制,渗透诗学理想和画学意趣,达成不同艺术领域的相得益彰和深度融合,给文人画的题材、趣味、价值等提供了新颖的诠释策略。

As a new type of literati’s poem during Yuan You period,the poem inscribed on painting was restricted in the theoretical system and depth,but it formed a positive influence on the literati painting’s theory in the Northern Song Dynasty.On the one hand,it broadened the communication function of Yuan You’s poem in response to one received.It was not only consistent with Su Shi’s view of literati painting,but also maintained personal attitude and comparison mind,which provided a special evaluation model of literati painting for establishing balanced literati painting’s theory in the Northern Song Dynasty.On the other hand,the poem inscribed on painting penetrated the poetic ideal and painting’s interest by the double methods of“poetic theory into painting”and“painting theory into poetry”,which promoted the improvement and deep integration of different art fields and provided the interpretation strategies for the theme,interest and value of the literati painting.