摘要
《淮南子》的"神游"是指"神"在主体心中的自由活动,也具有"心游"的内涵。《淮南子》中的"神"包含了"精神"的涵义,它也提出"精神内守"等观点,将"神游"的活动范围限定在主体心中。"神游"是在静漠恬淡的心境下展开的审美观物活动,包含着主体之神与自然万物偕同共游、相摩相荡的思想。"神游"突出强调了"身"与"神"的分离状态,以非现实的、虚拟的心理空间为活动境域,是一种包含着审美想象的"内视"或"内游"活动,但尚不包括文艺创作中构思的含义。"神游"强调了圣人之神的"内游"的活动特点,具有主体性、自由性和超越性。《淮南子》的"神游"观对陆机、刘勰等人的审美想象观和文艺创作中的构思观等都产生过重要影响。
The“Mind-wandering”in Huai Nan Tzu refers to the free movement of the“Mind”,and also has the connotation of“Heart-wandering”.The“Mind”in Huai Nan Tzu contains the meaning of“spirit”,and it also puts forward the viewpoint of“keeping the spirit in heart”,which limits the activity scope of“Mind-wandering”to the mind of the subject.“Mind-wandering”is an aesthetic activity carried out in a quiet,indifferent and tranquil state of mind,which contains the thought that the subject’s mind and all things in nature travel together and move together.It highlights the separation of“body”and“spirit”,and takes the nonrealistic and virtual psychological space as the activity domain.It is a kind of“inner view”or“inner tour”activity containing aesthetic imagination,but it does not include the meaning conceived in literary and artistic creation.“Mind-wandering”emphasizes the activity characteristics of the Saint’s“inner travel”,which has subjectivity,freedom and transcendence.The concept of“mind-traveling”in Huai Nan Tzu has exerted an important influence on the aesthetic imagination and conception in literary creation of Lu Ji,Liu Xie and others.
关键词
神游
心游
神与化游
审美想象
超越性
Mind-wandering
Heart-wandering
Mind wander with nature
Aesthetic imagination
Transcendence
