从王充《论衡》到陆机《文赋》——葛洪《抱朴子》文论接受渊源述略

From Wang Chong’s Lun Heng to Lu Ji’s Wen Fu--On the Source of Acceptance of Literary Theory in Pao-P’u-Tzu by Ge Hong

葛洪《抱朴子》是中国古代一部重要的子书著作,它所蕴含的文论和美学思想在汉魏两晋时期的文论史和美学史上起着重要的过渡作用。从文论和美学接受渊源的角度来看,葛洪《抱朴子》纵向接受了王充《论衡》、曹丕《典论·论文》中颇多的文论和美学思想,又横向接受了陆机《文赋》中的许多文论和美学思想。如果对葛洪文论的接受渊源进行一种考证式的梳理和研究,将有助于更清晰、全面地理解和把握葛洪文论思想,以及汉魏两晋文论史的发展面貌。

Pao-P’u-Tzu by Ge Hong is an important book in ancient China.Its literary theory and aesthetic thought play an important transitional role in the literary theory and aesthetic history of Han,Wei and Jin Dynasties.From the perspective of the source of literary theory acceptance,Ge Hong’s Pao-P’u-Tzu vertically accepted a lot of literary theory and aesthetic thoughts from Wang Chong’s Lun Heng and Cao Pi’s Dian Lun·Lun Wen,and horizontally accepted a lot of literary theory and aesthetic thoughts from Lu Ji’s Wen Fu.Our research on the origin of Ge Hong’s literary theory will help us to understand and grasp more clearly and comprehensively the thought of Ge Hong’s literary theory and the development of the history of literary theory in Han,Wei and Jin Dynasties.