形与画的思想起源

The Origin of the Thought of Form and Painting

本文主要探讨"形"如何成为画的思想起源这个问题,"形"往往被理解为存在物的显形或外形,但这个理解是派生的,"形"在更原初的意义上被界定为"赋形"和"成形",前者意味着划线的欲望和冲动,主动给出形式,后者意味着绘画是过程的展现,这个过程铭刻在绘画的写形之中。"形"也关涉"情"和"精神境界"的问题,在古代绘画中,"情"不仅仅指抒情,它也是指"感兴";当绘画要形不可形者之时就体现出了精神境界,"萧条淡泊"是一种消散状态,因而找不到与之相契的形式,然而不可形者就在形之中。因为消散总是意味着可见者从可见者那里消散而去,"萧条淡泊"正是可见者从可见者那里消散之际的最后踪迹。形作为思想起源,就是指画是被开启、被再次开启的持续运作。

It was mainly discussing how"form"becomes the origin of the thought of painting."Form"was often understood as the appearance or shape of beings,but this understanding was derived,"form"can defined as"give form"and"forming"in a more original sense."Form"was also related to"feeling"and"spiritual realm",in ancient painting,"feeling"referred not only to lyricism,it also referred to"affect";when painting would form the invisible,it embodied the spiritual state.The insipid was a state of disappearance,and therefore it always means that the visible disappearing form the visible,the insipid was the last trace of the visible disappearing from the visible.Form,as the origin of thought,referred to the continuous operation that was opened and reopened.