朱光潜早期美感经验理论中的概念与问题

On the Conceptions and Problems in Zhu Guangqian’s Early Theory of Aesthetic Experience

在朱光潜早期美感经验理论中,他一方面认为,"意象"的主要内涵是指美感经验中直觉到的纯粹形式,另一方面又试图以"情趣"来克服形式主义美感经验的局限性。但是,由于情趣并不是美感经验的必要条件,所以他这个方法并不成功。同样,他也试图通过扩大艺术活动的方法消解美感经验的孤立绝缘与艺术需要联想之间的矛盾,但这也没有达到理想的效果。在"美"的界定上,朱光潜认为这是事物形象的一种特性与价值,但他在对"美"的理解上却并没有保持内涵的同一性。尽管朱光潜美学中存在着不少矛盾,但也正是这些矛盾的观点促使我们在美学思考上采取审慎的态度。

In his early theory of aesthetic experience,Zhu Guangqian insisted that the"image"refers to the pure form which we perceived in this experience,and tried to overcome the limitations of the formalist aesthetic experience with feeling.Nevertheless,he was not successful because the feeling is not a necessary condition for aesthetic experience.By the same way,he also tried to solve the contradiction between the isolation of aesthetic experience and the association in art by enlarging the artistic activity,but this also did not achieve the ideal effect.In the definition of"the beautiful",Mr.Zhu considered that it is the characteristic and value of the image,but he did not maintain the identity of the meaning of this conception.Nevertheless,these paradoxical views make us to take a cautious approach to the thinking of aesthetics.