蒋孔阳对中国古代诗画的研究

Jiang Kongyang’s Research on Chinese Ancient Poems and Paintings

蒋孔阳对唐诗和中国古代绘画美学特点的研究,值得仔细研读。他以诗歌和音乐、建筑的相通分析唐诗的美,以个性说和以意境说为理论依据分析唐诗的美;他在中西比较中揭示中国绘画的基本特点,以辩证思维概括中国绘画中的美学思想。蒋孔阳对唐诗美学特点、对中国绘画美学特点及美学思想的归纳,是从文明互鉴中促进我们建立既适应中国民族化的传统、又符合世界现代化潮流的美学体系这一角度出发的。他依据唐诗和中国绘画的特点,对莱辛关于画与诗的区分进行了反思,认为莱辛的区分,并不完全适合于中国艺术。从表面看,蒋孔阳根据受众的特点,弱化了马克思主义美学的立场,但实际上,马列主义依然主导着蒋孔阳对问题的讨论与解决。虽然蒋孔阳作为美学家的地位是在若干年后才确立的,但在他对中国诗画的研究中,未来美学家思想的锋芒已经显露出来。

Jiang Kongyang’s research on the aesthetic characteristics of Tang poetry and ancient Chinese painting is worthy of careful study.He analyzes the beauty of Tang poems through the similarity of poetry,music,and architecture,and analyzes the beauty of Tang poems based on the theory of personality and artistic conception.He reveals the basic characteristics of Chinese painting in the comparison between China and the West,and summarizes the aesthetics of Chinese painting in dialectical thought.Jiang Kongyang’s generalizations of the aesthetic characteristics are from the perspective of mutual learning of civilizations,which will promote us to establish an aesthetics that not only adapts to the Chinese tradition,but also conforms to the trend of world modernization.Based on the characteristics,he reflects on Lessing’s distinction between painting and poetry,considering this distinction was not entirely suitable for Chinese art.On the surface,Jiang Kongyang weakens the position of Marxist aesthetics according to the features of the audience,but in fact,Marxism still dominates Jiang Kongyang’s discussion and solution of problems.Although Jiang Kongyang’s status as an aesthetician will be established several years later,in these studies,the keenness of future aestheticians’thinking has been revealed.