中国美学早期的缘情思想与六朝的“缘情说”

The Thought of Expressing Emotion in Early China and the Proposition of Expressing Emotion in the Six Dynasties

自西晋陆机提出"诗缘情而绮靡"后,"缘情说"得以确立,并经南朝刘勰在《文心雕龙》中的系统阐发而最终成为中国美学的一个重要的命题。但事实上,"缘情说"渊源久远,在先秦两汉的儒家美学中就已经有了萌芽,只是经过魏晋玄学的洗礼,在六朝获得最终的确立。"缘情说"最终在玄学的思想背景下被明确提出,与魏晋情的哲学中所彰显的情感的自觉和独立有着密切的关系。玄学视域下的"缘情说"与先秦两汉美学的缘情思想有着一定的区别。六朝美学的"缘情说"所缘之情是一种真正的审美之情。其根本在于,魏晋玄学情论将老庄思想中的"虚静之心"引入到儒家哲学的"感物之情"中,使得情感获得了独立和自觉,而这种观念下的情感与审美情感是相通的。

Expressing emotion is an important proposition of Chinese aesthetics.The history of this proposition is very old and it comes to being in the Confucian aesthetics of Qin and Han.This proposition is put forward in the background of Wei Jin metaphysics which has a close connection with the consciousness of emotion.The eomtion in this proposition is a kind of real emotion which is concious and independent.It also communicates with the aesthetic emotion.