摘要
人们在研究文化的传承与发展过程中发现了"文化基因"的存在,发源于上古的《周易》正是这样深刻影响着中华文明的发展。《周易》中数、象、理所蕴含的哲学意蕴与思维方式构成了中华传统艺术的美学基因。在《周易》中,天地间的万事万物皆是经由阴阳发端变幻的数变过程。在这种运数思维影响下,中华传统艺术亦收获了"阴阳相和"的数之美学集合。《周易》中卦象的象形思维与艺术发源中的"模仿"相同。在《周易》"观象取意"的思想影响下,中华传统艺术的发展形成了三种"意象化"的思维。分析发现,《周易》是以"天地"之数理结构来谈美的,同时也发现《贲》作为《周易》中专门表述艺术现象的卦象以其数、象、理中完整的易学逻辑阐述了文质关系,并通过爻辞和爻象的变化对一些具体的美学、艺术现象进行了观念的表达。《周易》所蕴藏的美学基因为中华传统艺术的发展带来了亘古不息的生命力。
People have discovered the existence of"cultural genes"in the study of cultural inheritance and development.Zhouyi has profoundly affected the development of Chinese civilization.The philosophical meaning of numbers,images,and principles in Zhouyi have also constitute the aesthetic genes of traditional Chinese art.According to Zhouyi,everything in the world is a process of digital changes that originate from yin and yang.Under the influence of this fated thinking,traditional Chinese art has also constituted an aesthetic collection of"Yin and Yang".The pictographic thinking of the hexagram in Zhouyi is the same as the"imitation"in the origin of art.Under the thought of discard the image itself and read its meaning influenced of Zhouyi,the development of traditional Chinese art has formed three kinds of"imagery"thinking.Through analysis,it is found that in Zhouyi aesthetics are discussed with the digital structure of heaven and earth.We can find that,as a hexagram specifically describing artistic phenomena in Zhouyi,the Hexagram of Bi expatiates in rigorous logic the relationship between Wen(literary)and Zhi(quality)in the three aspects of numbers,images and principles.In the speech,some specific aesthetic and artistic phenomena were expressed in the changes.The aesthetic genes embodied in Zhouyi have brought eternity to the development of traditional Chinese art.
关键词
周易
数象理
中华传统艺术
美学基因
周易美学
Zhouyi
Number,image and principle
Traditional Chinese art
Aestheticgenes
Aesthetics in Zhouyi