审美事件论的构想及可能性

The Conception of Aesthetic Event and its Possibility

经过物理科学的发现、哲学范式的转变,实在论已经式微,然而其阴影依然笼罩着美学的思维,在这种思维支配下,美学面对当代审美现实中的许多美学问题,犹如隔靴搔痒,不得要害。如果我们转换角度,把过程论、存在论和事件论的思想贯彻到美学中,将审美还原到事件的现场,以审美事件统一审美主体、审美客体、审美场景和审美体验,不仅有利于破除实在论的魔咒,而且对于解读当下技术领域、消费领域、生态领域中的审美问题具有重要的意义。审美事件论也许会成为美学的最新范式。

After experiencing physical science’s discovery and philosophical paradigm’s change,realism has already declined.Yet its shadow still envelopes aesthetic thoughts.Under the dominance of such thoughts,aesthetics fail to get the point of many aesthetic questions while facing the contemporary aesthetic reality.If we change our perspective,carry out process theory,existentialist theory and event theory in aesthetics,return aesthetics back into to the original site where the event happened,and unify aesthetic subject,object,scene and experience by aesthetic event,not only will it be helpful to break the curse of realism,but also will it be very meaningful to interprate the current aesthetic issues in the fields of technology,consumerism and ecology.Aesthetic event may become the newest aesthetic paradigm.