互文与张力:中朝文人题画诗文的跨文本价值——以黄云鹄所辑《完贞伏虎图集》为中心

晚清著名的经学家、文学家、书画家黄云鹄所辑《完贞伏虎图集》是19世纪中朝文人的题画诗文专集。本论文以互文性理论和比较文学方法论,通过分析孺人的形象内涵和虎之形象的象征意蕴以及寻根家族的孝文化意识,揭示了中朝文人对传统文化的共同认知和对现实的批判精神。同时,通过分析中朝题画诗文对黄云鹄之原文本的改写与转化过程,指出在互文性关系中的文本指向性和跨文本的创新性价值。

Wanzhenfuhutuji,compiled by Huang Yunhu,a famous scholar,writer,painter,and calligrapher in the late Qing Dynasty,is a collection of poems and essays inscribed on paintings by Chinese and Korean literati in the 19th century.Based on the theory of intertextuality and the methodology of comparative literature,this article reveals the common cognition of Chinese and Korean literati of traditional culture and their understanding of reality by analyzing the image connotation of Ruren(an official's mother or wife),the symbolic connotation of the image of the tiger,and the cultural awareness of filial piety of the root-seeking family.At the same time,through the analysis of the rewriting and transformation process of Huang Yunhu's original text in Chinese and Korean poems and essays inscribed on paintings,it points out the text orientation in the intertextual relationship and the innovative value of intertextuality.