汉藏文化交融下的推陈出新之作:丽江市博物院旧藏释迦牟尼佛与十六罗汉唐卡组画

A Thangka Set of Śākyamuni and the Sixteen Arhats in the collection of the Lijiang Municipal Museum

丽江市博物院旧藏中有一套17幅唐卡组画,绘制内容为释迦牟尼佛与十六罗汉,风格上是汉风流溢,兼具藏风,且对禽鸟走兽及饮食场景大量着墨,别具一格。通过与丽江市博物院旧藏另一套带有藏文题记的唐卡进行对比分析,推断这套唐卡很有可能出自明末清初西藏著名艺术家第十世噶玛巴却英多吉之手,是他创作的“汉式唐卡”风格的代表作。这两套唐卡均是汉藏文化长时期、大规模、多方面、深层次交流的结晶。

The Lijiang Municipal Museum owns an old collection of seventeen Thangka Paintings depicting Śakyamuni Buddha,his two disciples and the Sixteen Arhats.These paintings exhibit a distinctive style,combining elements of both Han and Tibetan culture.They stand out with their rich Han-style influences and a unique portrayal of birds,animals,and scenes of feasting.By comparing these Thangkas with another set of seven thangkas from the same museum's old collection featuring Tibetan inscriptions,it can be inferred that this set of seventeen Thangka Paintings likely originated from the tenth Karmapa Chos dbyings rdo rje(1604-1674),a famous Tibetan artist in the late Ming and early Qing Dynasties.These two sets of Thangkas of Arhats represent a unique style known as"Han-style Thangkas"and serve as remarkable examples of the cultural exchange that took place between Han and Tibetan cultures over an extended period,with broad,multifaceted,and deep interactions.