寓“颂世之音”于“乡邑之思”——《洪崖山房图》卷诗跋新解

Incorporating"Ode to the World"into"Thoughts of Home"——A new Interpretation of the Poem Colophons of Cottage Among Fathomless Cliffs and Mountains

《洪崖山房图》与王绂《湖山书屋图》在图式上具有关联,翰林官员所作同题诗文以“图诗卷”的形式表达明代官员的乡邑之思与颂世之音。明代早期政治文化语境中,官员定制思乡山水图体现了“忠孝一体”观念。将“洪崖山”置于“豫章十景”中,是胡俨作为中央文官精英对家乡风景的重新构建,通过将豫章的景观纳入“八景诗”的书写模式中,从而建立家乡与京城的关联。在对家乡与京城山水的观看中,明代早期官员的仕宦生涯与归隐生活都被纳入王朝权力场域之中。

Cottage Among Fathomless Cliffs and Mountains is linked to Wang Fu's Study Hidden Among Lakes and Mountains in terms of schematic composition,while poems bearing the same title composed by members of the Imperial Academy are in fact"lyrical scrolls"expressing the Ming officials'emotional relationship to both the universe and their hometown.In the political and cultural context of the early Ming dynasty,the nostalgic landscape paintings patronised by scholar-officials reflected the inclusive concept of"loyalty and filial piety"."Ten Views of Yuzhang"is Hu Yan's reconstruction of the scenery of his hometown as a civil official member of the central government elite.The landscape of Yuzhang was further embedded in"Poems of Eight Views",so as to establish the relationship between his hometown and the imperial capital.In the view of the hometown and the landscape of the imperial capital,the artistic expression of the early Ming dynasty officials'political careers and days spent in seclusion all came to be included in the field of imperial power.